Going To The Movies: A Personal Journey Through Four Decades Of Modern Film - غلاف ورقي عادي

Name: Going To The Movies: A Personal Journey Through Four Decades Of Modern Film - غلاف ورقي عادي
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مواصفات Going To The Movies: A Personal Journey Through Four Decades Of Modern Film - غلاف ورقي عادي

الوصف
مواصفات المنتج

الكاتب 1: Syd Field
اللغة: الإنجليزية
الناشر: Dell Publishing
تاريخ النشر: 9/10/2001
وصف الكتاب: What makes a great movie great? ... An actor legendary? ... A screenplay extraordinary or just ordinary? Syd Field has spent a lifetime seeking answers to these questions. His bestselling books on the art and craft of screenwriting have become the film industry’s gold standard. Now Syd Field tells his own remarkable story, sharing the insight and experience gleaned from an extraordinary career. Using classic movies from the past and present — from Orson Welles’ Citizen Kane to Andy and Larry Wachowski’s The Matrix — Field provides a guided tour of the basic elements common to all great films. Learn what makes La Grande Illusion a groundbreaking, timeless classic ... how Casablanca teaches one of the most important elements of creating memorable characters for the screen ... why Pulp Fiction might be one of the most influential films of our time. Discover the legendary filmmakers, films, and stars who shaped Field’s understanding of the medium.... Meet Jean Renoir, the great French director who steered his young Berkeley protégé away from medicine into film.... Watch a dazzling young Francis Ford Coppola as he directs his thesis film at UCLA.... Spend an amazing summer with Sam Peckinpah as he shares the screenwriting techniques behind his classic western The Wild Bunch. Rich in anecdote and insight, Going to the Movies will both entertain and inform, deepening every moviegoer’s appreciation of the magic behind the silver screen.
المراجعة التحريرية: From Publishers Weekly: Watching a movie is easy. But it's hard to figure out how its structure, images, acting, camera work and scripts can make us respond so powerfully. Writing in a chatty, informal manner, the author of several popular screenplay-writing manuals (including Screenplay, which is used in numerous college courses) turns to autobiography to meditate on what makes a movie great. Whether he is addressing his friendship with the great French director Jean Renoir, whose masterpiece La Grande Illusion Field considers one of the foundations of modern cinema, or about his classes with the great feminist film director Dorothy Arzner, Field conveys an enormous amount of technical and practical knowledge. Often delivering fascinating, miscellaneous bits of information (e.g., Jim Morrison named his band the Doors after Aldous Huxley's book about drugs, The Doors of Perception), Field centers his theoretical ideas on specific films and actors. He notes, for example, that the films of John Garfield almost always follow the mythic structure described by Joseph Campbell. His odd comparison of Resnais's obscure Last Year at Marienbad with the predictable Hollywood romance An Affair to Remember illustrates the difference between a subjective and an objective position in a film script. As head of the story department at Cinemobile, Field has read "more than two thousand screenplays and more than a hundred and fifty novels" and has worked with or known almost everyone in the industry since the late 1950s. Although cloaked in modesty, his illuminating, consistently entertaining memoir displays enough wit, intelligence and empathy to inspire a host of great films. Copyright 2001 Cahners Business Information, Inc. From Library Journal: "What makes a great movie experience?" asks Field (Screenplay: The Foundations of Screenwriting) in this account, which traces his own lifelong involvement with the film industry as a documentary filmmaker, film critic, studio executive, screenwriter, and lecturer on screenwriting. Field attempts to isolate the underlying elements common to all "great" films by reflecting on some of his favorites which include La Grande Illusion, The Wild Bunch, and Chinatown and influential works like Pulp Fiction. His recollections and insights are worthwhile and occasionally moving as when he recounts his meetings with Michelangelo Antonioni. Field's passion for cinema shines throughout, and it helps to propel readers through encounters with a variety of types of film. The end result will likely please movie buffs and belongs in public libraries with film collections. Neal Baker, Earlham Coll., Richmond, IN Copyright 2001 Reed Business Information, Inc.
عن المؤلف: Acclaimed as “the guru of all screenwriters” (CNN), Syd Field (1935-2013) is regarded by many Hollywood professionals to be the leading authority in the art and craft of screenwriting in the world today. The Hollywood Reporter calls him “the most sought-after screenwriting teacher in the world.” His internationally acclaimed best-selling books Screenplay, The Screenwriter’s Workbook, and The Screenwriter’s Problem Solver have established themselves as the “bibles” of the film industry. Screenplay and The Screenwriter’s Workbook are in their fortieth printing and are used in more than 400 colleges and universities across the country and have been translated and published in 29 languages. Field was also a special consultant to the Film Preservation Project for the famed Getty Center, was the first inductee into the prestigious Screenwriting Hall of Fame of the American Screenwriting Association and is a recipient of the distinguished Final Draft Hall of Fame Award. Field chaired the Academic Liaison Committee at The Writer’s Guild of America, West, was on faculty at the USC Master’s of Professional Writing Program, has taught at Harvard, Stanford, UC Berkeley, UCLA, the AFI and many other noted institutions. He has been a special script consultant to 20th Century Fox, the Disney Studios, Universal and Tristar Pictures. He was a creative screenwriting consultant to the governments of Austria, Argentina, Brazil, Germany, Mexico, Norway, and had collaborated with such noted filmmakers as Alfonso Cuaron (Gravity, Y Tu Mama Tambien), James L. Brooks (Broadcast News, As Good As It Gets), Luis Mandoki (When A Man Loves A Woman), Roland Joffe (The Killing Fields, The Mission), and Tony Kaye (American History X). Field has taught screenwriting workshops in Berlin, Bombay, Brussels, Buenos Aires, the Canadian Film Industry in Toronto, Montreal, Vancouver and Edmonton, in Frankfurt, Johannesburg, London, Madrid, Mexico City, Munich, Oslo, Paris, Rio de Janeiro, Rome, South Africa, Sydney, Warsaw, and by special invitation of the Ministries of Culture in Vienna and Zurich. He was the keynote speaker at the International Film Festivals in Berlin, Rio de Janeiro and Oslo, Norway, and the President of the International Film Jury at the Flanders International Film Festival, Ghent, Belgium. Some of Field’s former students include Oscar winning filmmaker Alfonso Cuaron (Gravity, Y Tu Mama Tambien), Golden Globe nominated writer/director Judd Apatow (Bridesmaids, Girls), three time Oscar nominated writer/producer Frank Darabont (Shawshank Redemption, The Green Mile, The Walking Dead), Oscar nominated writer Anna Hamilton Phelan (Mask, Gorillas in the Mist), two time Oscar nominated writer/director John Singleton (Boyz N the Hood, Poetic Justice), Randi Mayem Singer (Mrs. Doubtfire), Laura Esquivel (Like Water For Chocolate), and Kevin Williamson (Vampire Diaries, Scream 1 – 4).
عدد الصفحات: 312