'Fascinating, harrowing, courageous, and deeply felt, these explorations of "dangerous stories", harmful past events and trials of the soul speak to all who've encountered dark waters and have had to navigate them.' Margaret Atwood FROM THE DIRECTOR AND SCREENWRITER OF WOMEN TALKING. Sarah Polley's work as an actor, screenwriter and director is celebrated for its honesty, complexity and deep humanity. She brings all those qualities, along with her exquisite storytelling skills, to these six essays. Each one captures a piece of Polley's life as she remembers it, while at the same time examining the fallibility of memory and the embodied reactions of children and women adapting and surviving. The guiding light is the possibility of experiencing the past anew, as the person she is now but was not then. In this extraordinary book, Polley explores what it is to live in one's body, in a constant state of becoming, learning and changing. As she was advised after a catastrophic head injury - if we relinquish our protective crouch and run towards the danger, then life can be reset, reshaped and lived afresh. '[Polley is] a stunningly sophisticated observer of the world and an imperfect witness to the truth.' New York Times
About the Author
Sarah Polley is an Academy Award-nominated screenwriter, director and actor. After making short films, Polley made her feature-length directorial debut with the film Away from Her in 2006. She received an Oscar nomination for the screenplay, which she'd adapted from the Alice Munro story 'The Bear Came Over the Mountain'. Her other projects include the documentary film Stories We Tell (2012), which won the New York Film Critics Circle prize and the National Board of Review award for best documentary; the miniseries adaptation of Margaret Atwood's novel Alias Grace (2017); and the romantic comedy Take This Waltz (2011). Her latest project is Women Talking (2023), which she adapted from Miriam Toews novel of the same name. As a child she starred in the long-running children's series Road to Avonlea and in Terry Gilliam's The Adventures of Baron Munchausen.