"The untold story of how breaking - one of the most widely practiced dance forms in the world today - began as a distinctly African American expression in the Bronx, New York, during the 1970s"--
About the Author
Serouj "Midus" Aprahamian is Assistant Professor of Dance at the University of Illinois, Urbana-Champaign, USA. He has been active in the breaking world since 1997, under the name Midus, gaining notoriety internationally for his unique, abstract style. His scholarly writings have appeared in the Journal of Black Studies, Dance Research Journal, Oxford African American Studies Center, and The Oxford Handbook of Hip Hop Dance Studies.Toyin Falola is Professor of History, University Distinguished Teaching Professor, and the Jacob and Frances Sanger Mossiker Chair in the Humanities at the University of Texas at Austin, USA. He has received over 30 lifetime career awards and 14 honorary doctorates. He has written extensively on Nigeria, including A History of Nigeria (1989), Nigerian Political Modernity and Postcolonial Predicaments (2016), Violence in Nigeria (1998), and Colonialism and Violence in Nigeria (1998).Abimbola Adelakun is Assistant Professor in the Department of African/African Diaspora Studies at the University of Texas at Austin, USA. She is co-editor, with Toyin Falola, of Art, Creativity, and Politics in Africa and the Diaspora (2018). She is also the author of Under the Brown Rusted Roofs (2008) and writes a weekly column for PUNCH Newspapers.