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Hip-Hop in Musical Theater

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Hip-Hop in Musical Theater Details

ISBN 13
9781350247963
ISBN 10
1350247960
Publisher
BY
Book Description
Hip-Hop culture's explosive arrival on the art scene of New York in the boroughs of Queens and the Bronx in the 1970s began to influence all aspects of musical theater from singing to scenic design. Hip-Hop in Musical Theatre takes an inter
About the Author
Nicole Hodges Persley is an Associate Professor of American Studies and African American Studies who specializes in areas of Hip-hop Studies, Acting and Directing and African American performance in theater, film and television. An artist-scholar, Hodges Persley creates intentional bridges between the entertainment industry and academia. She is the author of Sampling and Remixing Blackness in Hip Hop Performance, and co-author of Breaking It Down: Auditioning for Artists of the Global Majority. Robert Gordon is Professor of Theatre and Director of the Pinter Centre for Performance and Creative Writing at Goldsmiths, University of London, where in 2003 he introduced the first British MA in Musical Theatre for producers and writers and a new BA in Musical Theatre in 2018. He is author of The Purpose of Playing: Modern Acting Theory in Perspective (2006), Harold Pinter's Theatre of Power (2012) and, with Olaf Jubin and Millie Taylor, British Musical Theatre Since 1950 (2016). Edited collections include The Oxford Handbook of Sondheim Studies (2014) and, with Olaf Jubin, The Oxford Handbook of the British Musical (2016). He has acted and directed in South Africa, the UK, Ireland, the USA, Italy, Russia and the Czech Republic. In 2013, he directed the European première of Kander and Ebb's Steel Pier in Brno, while his musical version of Five Childrenand It with composer Nick Hutson, received a professional workshop in 2015. He is currently engaged as a writer and actor of Shylock Speaks, which premiered in February 2020.
Language
English
Author
Nicole Hodges Persley
Publication Date
2023-07-27
Number of Pages
136 pages