In the book in our hands, there are topics and characters in which we made every effort to bring something new to add to our musical and lyrical library. From talking about “Sheikhs of the Tarab” to “The Tarab of the Worlds,” while shedding light on important names and figures in the world of music and singing in Egypt and the Arab world, such as “Kamel Al-Khalai... the professor of stanzas,” “Sayyid Darwish... and foreign words,” and “Munira Al-Mahdia... the Sultana of Tarab,” and “Najah Salam... Speech is Chaos and Singing is Order,” all the way to “Riyad Al-Sunbati... The Renewer,” “Baligh Hamdi... All This Talent,” and “Ammar Al-Shari’i... The King of Music.” Photography”, “Jamal Salama... the magician of melodies”, “Tigerman... the musician of Champollion Street”, along with “Mohamed Abdo Saleh”, “Nabawiya Saeed... the first composer”, and “Yas Khader... the voice of the land.” And Muhammad Al-Amin...the spirit of renewing Sudanese music” and “Saleh and Daoud Al-Kuwaiti...the glory of the Iraqi song.”
We open files worth paying attention to, such as “Ramadan songs before the Internet,” “Duet... prosperity and collapse,” the “band wage” model, and the difference “between slogans and songs,” and we reveal the story of “I now have a gun.” Cloud montage. We head west to “The Gnawa... Invoking Spirits and Ancestors” and “The Casbah and the Bandir... Leaving the Margin.” In search of rooting, we explore the file “The Philosophy of Music... from Al-Farabi to the Ikhwan al-Safa.” We cannot miss talking about Western music in the topics “Verdi... Complaints of the Author of “Aida” and “The Secret of the Attractiveness of “Greatest Hits” Albums.”